This is a production of "Offices" by Ethan Coen at Florida State College at Jacksonville.
Scenic Design: Brendan King
Lighting Design: Brendan King
Stage Manager: Chris McKinney
Technical Director: Johnny Pettegrew
Director: Ken McCullough

Used R4230 heavily for it's color correction qualities in tungsten fixtures in order to simulate the setting in a modern, fluorescent office interior. Front Lighting is Roscolux R08 and R3203. R99 was used as high side lighting in the exterior and house scenes.

The 30th Annual Evvy Awards @ Emerson College!

Lighting Company: Pulse Stage Lighting
Lighting Design: Bob Suchocki
Venue: SIR Stage 37, Manhattan, NY
Event: A&E Breakout Kings Premier Party

Rosco Products Used:

Gel
Rosco #22 - Deep Amber
Rosco #119 - Light Hamburg Frost
Rosco #3202 - Full Blue
Gobo
Rosco #77622 - Jail Bars Shadow
Rosco #77570 - Sponged

disOriented
By: Kyoung H. Park
Director: Carlos Armesto
Choreographer: Elisabetta Spuria
Scenery by: Adam Koch
Costumes by: Carla Bellisio
Sound by: David Lawson
Theatre C
Peter Jay Sharp Theater
New York, NY
February, 2011

main set of the production "wttc gala"

rosco 65 (daylight blue)
rosco 20 (medium amber)

some frosts and cto´s and quarter minusgreen for the fl´s

production:
"wttc conference"
burj al arab
dubai / uae
production date :
april of 2008

Dance recital at LeTourneau University's Belcher Center May 2010, Lighting Design - Matt Neighbors, Director - Tena Vogel

Roscolux gels R58 & R60 overhead, R12 high sides, R20 sidelights, R63 & R06 Front fills.

From a production of "1776" at Western Illinois University. In this scene the courier sings about the terrible nature of war in "Momma Look Sharp". A single fixture with R364 highlights this incredibly somber moment. Not only does the color help to support time of day, but removes the feeling of vibrance and life (similar to war).

Millersville University Theater
Heathen Valley
Director, Jeff Cartwright
Alumni Lighting Designer, Keith Henninger

In the photos I used a combining R02 Bastard Amber, R09 Amber Gold as front light, R13 Straw Tint as side, and R68 Sky Blue as back light. I also used R99 Chocolate with template R79119 Winter Tree.

R-13, R-15, R-20, R-70, R-93

The Consul, Menotti. Atelier Lyrique de l'Opéra de Montréal. Light Design: Francis Hamel. Directing: Oriol Thomas. Set Design : Mylène Chabrol.

This photo is from a Mime show telling the story of Orpheus and Eurydice. Orpheus is running after Eurydice as she is being pulled back into the underworld for the last time. I used a combination of R02 and R08 to light Orpheus to place him in one world, while using R66 to light Eurydice in order to place her in the underworld.