Eurydice, directed by Mark Cirnigliaro for the Jameson Theater Company.
An experimental theater company that only has 24 dimmers.
It's a challenge.
Eurydice, a play by Sarah Ruhl, was also a challenge especially given the limitations of the space.

It involves the underworld, which had some freaky "stones" as characters, back lit with R39, and the underworld was pretty much created using only R66, and R39. Teal is scary.

Other colors were: r08, r33, r51, and r19 which we ended up nicknaming "Fuckin' red!".

R27 and R69

Director: Brittney Pierri
Stage Manager; Jade Quinn
Technical Director; Elizabeth Reid
Lighting Designer; Andrew Ricci
Sound Designer; Elyse Fink

Though I do not have any pictures of the effect I created with the R27 and R69 gels, it was for a police siren at the opening of the show. I wanted to convey a car accident to the audience and due to the low budget of the show the best way to do this was with sound and lights. There was a crash sound followed by a chase of the R27 and R69 to signify the police coming to the car accident.

Rosco supergel #25, a great sidelight colour for this particular scene of "Hey big Spender" Gave a real depth of colour to the faces and worked well with the uplight and cross light from SR.

Photos are from Florida International University's production of The House of the Spirits.

The production only used Roscolux. Colors included - R60, R363, R87, R302, R78, R364, R19, R08, R36, R16, R369, R21, R321, R83, R13, R355, R364, and R09

Direction - Michael Yawney
Scenic Design - Jesse Dreikosen
Costume Design - Caroline Spitzer
Lighting Design - Tony Galaska

Photo - Tony Galaska

Godspell
Southern Utah University - 2011
Director: T. Anthony Marotta
Lighting Designer: Holly Pierce
Scenic Designer: Brian Beacom
Costume Designer: Wendy Sanders

Rosco colors used: 02,60,39,12,18,67,89,80,26,91,124,125,126,127

A Midsummer Night's Dream

Our director decided to set this production in the Louisiana Bayou so we wanted to use murky colors to give the feel of the swamp and also use some greens and purples to give the mystical feel our director wanted R02 and R99 washed the stage to compliment the colors of the houses. We also used R89 and R39 on the trees upstage and downstage with the spanish moss.

Comedy of Errors at Livingston High School, Livingston NJ.
Lighting Designer: Ryan Barckley, Assistant Lighting Designer: Josh Samuels

Production: Broadway Tonight’s “Summer of ’42” at Mitchell Hall Theatre Director: Greg White Scenic Design: Christopher Domanski Costume Design: Caitlin Graham Lighting Design: Ellen Schmidt Photos: Wendy Mutz

These were photos from our Fall 2011 Kaleidoscope Dance Concert. Kaleidoscope Concert Manager-Tina Kambour. Lighting Designer-Angela Marks

Bushido was a dance in which the choreographer wanted a Dune like feel to the piece to highlight the arid quality of the environment. Main lighting used R325 and R23 front high sides and R05 from the mid side on the trees.

Air, some dichroics from the automated fixtures with R80 as fill and R33 as sidelight from the SL trees.

In White, automated fixtures with their no color and reinforced R350 as down light.

Production: Brighton Beach Memoirs
Edward R. Murrow HS - Joseph Papp Theatre (April 2011)
Director: Lawrence Nadel
Set Design: Paul Eisenberg
Lighting Design: Evan Herman-Chin

After speaking with the director, we agreed that gentle & unobtrusive lighting would work the best for this small scale production.
R02 - Bastard Amber - Used as front and side light; created a warm environment for the Jerome household that looked natural on the actors' skin tones.