This is the light with a stain glass window gobo that I used to portray and highlight the medieval aspects of a show called "The Mouse that Roared". I used the gels of R33, R321, and R47 frankensteined together to create a sunrise/set affect that would filter through a "window" in a castle.

Photos of our high school production of all shook up

This dynamic dance number takes place in a secret hideout buried within the sewer system. The sewer effect is achieved with the use of R90 front light. Meanwhile, R22 and R20 are in a side light system to highlight the actors' movements during the dance number.

PC: Andrew Nelles

By the Bog of Cats is a magical realism adaptation of Medea set in a bog in modern rural Ireland. The first act takes place between just before dawn and late morning, the second act is an interior wedding, and the third act takes place entirely during a fire. Creating a world that could hold both ghosts and a fire that continued in the background of an entire act was the greatest challenge of this design, and I created distinct color palettes for each. The ghost world was in R71 (sides/high sides), R80 (toplight), and the opening look of the play featured a shin with R61+R119.

I worked in tangent with the director to create a more romantic warm form of the northern lights. Although most scenes were outside, there were a handful that were inside. We kept the

This dance piece was inspired by the actress Gena Rowlands. The choreographer wanted to explore these three alter egos he believed she had and her relationships with people in addition to the stripping of identity. Light was used to create a mood for each of the "scenes" and explore the evolution of Gena as a person until we get to the final photo, with the shirtless man covered in wigs, where we loose all identity completely, thus going to a more stark whiter look.

Viola and the Captain discover the city of New Orleans (Illyria) after being shipwrecked on the shore.

In this piece I created a line of light that dancers stood in for a dramatic moment of looking into a mirror. I used R11, R388, and R92 to gradate from yellow to teal, making the composition more dynamic and uneasy.

Rosco Color correction was used in front and side lights to tone the actors. R99 was used in the backlights and R89 in the top lights to create the look of high pressure sodium lamps.

This is a rock history concert presented by the social studies department of a high school. This concert allows the audience and students to learn about the major historical events of a decade, accompanied by its musical influences in this annual production. It also allows the students of the school to perform the music and requires extreme authenticity of their portrayed musician for them to live out their rock star dreams!