1.) Wanderlust at the Cleveland Public Theatre. Written and directed by Matthew Earnest. Lighting design and photo by Daniel Schreckengost. R40 and 4 Rosco Imagepro custom gobos.

2.)The Fantasticks at the Great River Shakespeare Festival 2011. Directed by Melissa Rain Anderson. Lighting Design by Daniel Schreckengost. Photo by Erik Paulson. R81, R74, R53 and texture R79100

Lake Forest High School Talent Show 2011, "Just Warming Up". Lighting design by Alex Zylka. Colors used: R39, R4590, R302

Taken by my self.
front light all r85.
cyc light done with r120, r121 and r122.

this was just an assembly done at walter johnson high school in bethesda maryland.
it is the asian dance club showing the students what they have put together.

spot is r53

First Photo:
From a dance piece entitled "Em Voi Anh" choreographed by Politeia Le at the University of California, Irvine's Claire Trevor Theater.
Lighting Design by Jennifer Hill
Photography by Benjamin Weill
Rosco Colors: R362, R50

Second Photo:
From a production of "Hamlet" directed by Victor Vasquez at the University of California, Irvine's Nixon Theater.
Lighting Design by Jennifer Hill
Photography by Anna Rodil
Rosco Colors: R05, R60, R62, R64, R362

Romeo and Juliet (post-apocalyptic setting)
Maize High School, Maize Kansas
Lighting Design: Kathleen Barbara and Tom Harms
Rosco colors: R39 and R02

I used R318 to serve as the sunset.
Picnic by William Inge - University of Cincinnati-College Conservatory of Music
Patricia Corbett Theater, Cincinnati, Ohio
Lighting Designer - Michael Wolmer
Director - Richard Hess
Set Designer - Tammy Honesty, U.S.A.
Costume Designer - Amanda Janke
Wig and Makeup - Robert Michael Navarre
Sound Designer - Valerie Lawrence
Pictured - Stephen Shore (Hal), Clare Ward (Madge), Caroline Shannon (Millie)

Machinal, Lighting By Alec Bernstein, Bailiwick Theatre Chicago. Rosco Colors: R385, R02, R375, R89

I used Rosco 93 and 95 to create a vivid, layered green night raid scene in Fallujah, a new play about a journalist embedded with a marine unit in Iraq. The color allowed me to create a scene lit as though viewing it through night vision goggles, which allowed me to keep it bright enough for the audience to see the action sequences while making it clear that the characters themselves are unable to see three feet in front of their faces.

These photographs are from a production of 'Go Dog. Go!' at the Springer Opera House, State Theatre of Georgia in Columbus, GA, USA.

Director: Jef Holbrook
Scenic Designer: Neil Clark
Lighting Designer: Wesley Forlines

Rosco Color Used: R06, R36, R60, R80, R26, R10, R375, R119

Cosi Fane Tutti
Opera Providence
June 2011
LD: Dean P. Palmer, Jr

I NEEDED R40 for my "sunset" sidelight(Subtle in this picture). The gel from "Another Company" was not rich enough to convey the afternoon/evening look that I was going for in this show. I also used it as a Back-light color to punch through my NC front light in those dramatic Sunset scenes.