Seascape by Edward Albee
Lehigh University Department of Theatre

Colors onstage R3202, R3206, R3220, R119, R80
Cyc R68, R80

I would love an R39 mug if you still have them!

The Story of the Chisel Boy @ The Paradise Factory, 2010. R20 on walls, R80 wash. Set: Andy Yanni, Costumes: Lily Warpinski, Lighting: Marika Kent, Sound: Benjamin Lundberg.

Women Beware Women by Thomas Middleton
Photographer: Jennie Petuch
Director: C. David Frankel
Lighting Designer: Anthony Vito
Scenic Designer: Cody Lorich
Costume Designer: Julie Carr
Sound Designer: Ryan Crowther
Stage Manager: Nikki Bird
Actors Credited: Kelsey McCarter, Mary Spurlock, Rob Tisdale, Rob Maguire, Vivian Rodriguez, Stephanie Dale, Joe Montalto.

Tampa Bay's "Shoes At The Door" Modern Dance Company. Summer 2011 Concert: "From The Floor Up."

This piece, "Afloat" was choreographed and danced by Brooke Bissell, Danielle Boe, and Sadie Lehmker. Lighting Design by Jeff Boe. Master Electrician, Kristen Geisler. Stage Manager, Ivan Cano.

"Afloat": Buoyed by each other, the dancers remain connected while exploring individual movements and ensemble interactions. Tether lines keep the dancers from drifting past the possibility of reconnection.

Les Misérables (Washington International School, 2009). Directed by Michael J. Barber, Lighting Design by Scott K. Tusing.

At the Barricade, Roscolux #84 with Roscolux #103.

The Next Fairy Tale (Celebration Theatre, 2011), composed and written by Brian Pugach and directed by Michael A. Shepperd; lighting design by Matthew Brian Denman, set design by Victoria Proffit, costume design by Raffel Sarabia. Rosco's wide range of saturated colors (with some support from Surpise and Blush Pinks) helped create the dark fantasy feeling of the production. Rosco colors used: R12, R318, R25, R333, R339, R349, R51, R56, R66, R68, R72, R79, R83, and R88.

Barbarous Nights
Carnegie Mellon, School of Drama 2010-2011
Adapted and Directed by Sam Creely
Scenery by Michael Epstein
Costumes by Megan Spatz
Lighting by Andrew Leitch

Rosco Colors used: R385, R3202, R367, R16, R35, R112, R119, R64, R385, R50, R42, R52

Production: The Madwoman of Chaillot
Direction: Tim Altmeyer
Lighting Design: Ryan Bible
Set Design: Anne Tulley
Costume Design: Lee Martin

Colors Used: R74 R318 R321

Lighting Design, The Cherry Orchard by: Anton Chekov, Drake University, Directed by: Clive Elliott, Spring 2011
Rosco color and gobos used: R365, R119, R120, R121, R122, R02, R08, R16, R13, R18, R53, R54, R55, R60, R62, R77288, R77109

"Rabbit Hole" 2010 Texas Tech University. Lighting Designer: Andrea Bilkey. Asst LD: Jacob Schenk. Scenic Designer: Vicki Ayers. Costume Designer: Roselaine Fox Hamilton. Director: Bruce Hermann. To illustrate the moments of "time marches on" through this story of life and loss, the lighting never went away. Typical interior moments were designed to be even and "real" and as if the audience were in the house with them.