Theatre TCU, Almost Maine 2009. Rosco colors used: R83, R64, R60, R317, R05, R132.
The play is set on a cold night in Maine. Each scene is a small snippet of life in the town, each in a different location. The deep cool colors contrasted by saturated warms created an effect of some surrealism, as the show takes on a magical twist. Deep ambers gave a sense of either streetlights or warm indoors. Deep blue backlight and top gobos with R60 gave a sense of moonight as well as the crisp cold air.

Theatre TCU, production of Almost Maine 2009. Rosco colors used: R05, R83, R64,R60, R317, R132

Theatre TCU, production of Almost Maine 2009. Rosco colors used: R05, R83, R64,R60, R317, R132

R305
R18
R362
R79

Death of a Salesman - Fort Worth Theatre
Director - Kacie Smith
Lighting Design - Barrett Lowe

Seascape by Edward Albee
Lehigh University Department of Theatre

Colors onstage R3202, R3206, R3220, R119, R80
Cyc R68, R80

I would love an R39 mug if you still have them!

The Story of the Chisel Boy @ The Paradise Factory, 2010. R20 on walls, R80 wash. Set: Andy Yanni, Costumes: Lily Warpinski, Lighting: Marika Kent, Sound: Benjamin Lundberg.

Women Beware Women by Thomas Middleton
Photographer: Jennie Petuch
Director: C. David Frankel
Lighting Designer: Anthony Vito
Scenic Designer: Cody Lorich
Costume Designer: Julie Carr
Sound Designer: Ryan Crowther
Stage Manager: Nikki Bird
Actors Credited: Kelsey McCarter, Mary Spurlock, Rob Tisdale, Rob Maguire, Vivian Rodriguez, Stephanie Dale, Joe Montalto.

Tampa Bay's "Shoes At The Door" Modern Dance Company. Summer 2011 Concert: "From The Floor Up."

This piece, "Afloat" was choreographed and danced by Brooke Bissell, Danielle Boe, and Sadie Lehmker. Lighting Design by Jeff Boe. Master Electrician, Kristen Geisler. Stage Manager, Ivan Cano.

"Afloat": Buoyed by each other, the dancers remain connected while exploring individual movements and ensemble interactions. Tether lines keep the dancers from drifting past the possibility of reconnection.

Les Misérables (Washington International School, 2009). Directed by Michael J. Barber, Lighting Design by Scott K. Tusing.

At the Barricade, Roscolux #84 with Roscolux #103.

The Next Fairy Tale (Celebration Theatre, 2011), composed and written by Brian Pugach and directed by Michael A. Shepperd; lighting design by Matthew Brian Denman, set design by Victoria Proffit, costume design by Raffel Sarabia. Rosco's wide range of saturated colors (with some support from Surpise and Blush Pinks) helped create the dark fantasy feeling of the production. Rosco colors used: R12, R318, R25, R333, R339, R349, R51, R56, R66, R68, R72, R79, R83, and R88.