Note: This is a re-submittal, with additional information, per the request of Tyrell Foster. I have already received a mug.

4.48 Psychosis, by Sarah Kane
Viterbo University Theatre, Feb 3-5, 2011
Directed by David Gardiner
Choreographed by Nikki Balsamo
Lighting Design: Joe Holdman
Scenic Design: Joe Holdman
Costume Design: Rachel Wahl
Rosco colors used: R3204, R08, R317, R21, R26, R34, R47, R60, R362, R67, R70, R73, R79, R388, R92, R99, R119
Rosco Gobos Used: ‘Squares’
Photos credit: Joe Holdman and Theresa Smerud

Production: Toad of Toad Hall
Venue: Maddermarket Theatre
Directed by: Peter Sowerbutts
Set by: John Stokes
Lighting by: Katherine Lowry
Rosco Supergel:022 Deep Amber, 026 Light Red, 079 Bright Blue, 085 Deep Blue, 089 Moss Green

Production: Toad of Toad Hall
Venue: Maddermarket Theatre
Directed by: Peter Sowerbutts
Set by: John Stokes
Lighting by: Katherine Lowry
Rosco Supergel:022 Deep Amber, 026 Light Red, 079 Bright Blue, 085 Deep Blue, 089 Moss Green

4.48 Psychosis By Sarah Kane
Produced By Southeastern Louisiana University's Department of Fine and Performing
Directed By James Winter
Scenic Design By Steve Schepker
Lighting Design By Benjamin Norman
Venue: Vonnie Bordon Theatre - Hammond, LA
ROSCO Color Used: R10, R16, R17, R18, R24, R26, R37, R41, R57, R369, R80, R89, R90, R120, R121, R122

R381
Peter Pan
Tinkerbell is a combination of a colorizer with colorwave glass.

Production of Nine The Musical at Tacoma Musical Playhouse in Tacoma, WA. A lot of R80 and R18 was used. as well as quite a bit of diffusion gel.

watermelon boats: Lighting Designer/ Master electrcian

R83
R375
R62

2,280 Pints!
Produced by: University of Florida, February 2011
Artistic Director: Neta Pulvermacher
Lighting & Scenic Design: Bryan Lussier
Choreography: Neta Pulvermacher, Robin Brown, Colette Kreeger, Matt Reeves, Rebecca Warner
Rosco products used:
Gel: R119, R53, R302, R99
Gobos: R78227, 78219, 78234, R77228, R77747, R78023, R78420, R78421

Colours used in this picture: R04,R19,R21,R332,R50,R62,R64,R68

Vivid colour choices were important to the production, in support of the over the top style and surrealism of the play. Less saturated colours were isolated to the actors, while bright colours were used for the silhouetting backlight, and from the front and sides to compliment the unusual material of the set.

From a production of "The Ash Girl" by Timberlake Wertenbaker
Director: Tamara Carroll
Scenic Design: Cameron McFee
Lighting Design: Alana Jacoby

Rosco gels used: R382, R86, R90, R91
Rosco gobs used: 77119, 77805