R33
Small Scale Lighting Lab demo
Used for production of Little shop of Horrors
Greer Garson Theatre Center
Santa Fe NM
Directed by: Gail Springer

R383 - Sapphire Blue

Dr. Horrible Sing Along Blog
Lighting Design: Connor Ward
Director: Ryan Hewlett

For the most part I used LED fixtures for the overhead lighting but mixed in with that I had several down/side lights with R83 gels. The musical I designed was Stage 1 Theatre (Newark, CA)'s production of "Beauty and the Beast Jr.". I used the fixtures with the R83 during the more fun, sad, and sincere scenes in the castle like "Human Again", "Home", and "Beauty and the Beast". This picture is at the end of the very well known song "Be Our Guest".

Cats: Opening Scene; Jellicle Ball; Memories; Electra and Bombalurina; Ensemble

Les Miserables - Port Scene; Barricade Scene; Factory Scene and Paris Sewer Scene

R381

ABLAZE: Written and Directed by Matt Zrebski
Lighting Design By JD Sandifer

This production of Swell Party by Topher Payne is set on the famous real life Reynolda plantation in the deep south of North Carolina. The show alternates between a overcast stormy day, and flashbacks to a beautiful day in the summer. Here, i created a setting sun with 16 spectra cyc units, and gobos colored with R57, R65, R18, and R11. The interior lighting features R367, and for backlight R65 and R4660.

R02, R05, R99, R51, R21

Master Electrician/ Assistant Lighting Designer

Photo #1: Production shot from the musical Godspell Color used- E-Colour #789: Blood Red

Photo #2: Production shot from the musical Godspell Color used- Rosco Roscolux #383 Lighting Sapphire Blue

"Bloody Bloody Andrew Jackson"
Buck's Rock Camp, July 2012
Directed by Jason Zimbler
Lighting Design by Alana Jacoby

Though I'm a big fan of color in general, I stuck to a very limited palette for this one: red was a must, considering how angry and bloody the show is, plus blue for some of the more emo numbers and plenty of no-color toplight and blinders to help create a rock concert feel added up to a nice patriotic color palette for this America-centric musical.

R27 was my heavy hitter for this show, and one of my all-time favorites!