Ms. Havisham's house

For this show, we used a lot of yellow and amber to create the dingy mood, also to go along with the urine theme of the show. We also used blue, green and red on the cyc to create various different times of day, as well as different moods throughout the story. We had blue, amber and purple downlights to create times of day as well, as well as different settings, such as a sewer versus a city street.

Our class of 7 graduate students and one underclassmen spent the semester working on scenic projects.
The first group project was of Jimmy Hendrix, the last group project was the Steamboat. In between we worked on bas reliefs, 3-D modeling, and woodgraining.

We use Broadway paints of all colors.

Event lighting design for Columbia University.

Our cyc was used extensively to help transition between days and nights as Shaharazad told her stories to the king. Rich oranges, bright blues, and deep purples all helped create slow sunrises, sunsets, daytimes, and evenings. We also used a rich amber and a deep blue to light acting areas with contrast.

Our cyc was used extensively to help transition between days and nights as Shaharazad told her stories to the king. Rich oranges, bright blues, and deep purples all helped create slow sunrises, sunsets, daytimes, and evenings. We also used a rich amber and a deep blue to light acting areas with contrast.

Two distinctly different moments and scenes from the play.

These photos are from our Les Miserables production and show 2 scenes from the musical.

I used R325 to create the blood moon during this otherworldly seance orgy scene for Caryl Churchill's Cloud 9. I also utilized Gam 872 and Gam 880 to create a very cold night time glow to the actors. I utilized some Rosco Ambers in strip lights hung on booms to add depth to the space and create an African sunset environment that the actors got to play in.

Photos are from the show Finding Wonderland. Multiple gel's were used for warm and cool washes, as well as neutral density in the foot lights to lower intensity on audience side.