This is during "I Believe" when Melchior and Wendla are in the hayloft right before intermission. I wanted the rest of the children to be shadowy and dark. I choose brilliant blue to help create the wistful feelign of the song, while keeping the chorus more obscure.

Teen age-group in a 2014 production of Sweeney Todd. The first photo is at the end of "Epiphany" and the second is at the end of "Attend the Tale of Sweeney Todd".

Denizens of a dilapidated mall burrito stand become characters in the bizarro cartoon daydream of the assistant manager. R86 in the fresnel toplight and split R39 and R44 in uplight from 500W halogen worklights cast a sinister technicolor.

From IU's production of Macbeth. These photos feature scenes with the witches and Macbeth interacting.

From IU's production of Macbeth. These photos feature scenes with the witches and Macbeth interacting.

Start of Act II of Aaron Posner's Stupid Fucking Bird. Opened 1/25/16 by The Wilbury Group in Providence, RI. In addition to the Rosco Gel used there's a Hi-side break up system of R78049 "chessboard" one of my go to steel gobos w/ a cut of R132 to soften and half a cut of R97 to drop down the intensity of the lower half of the beam.

No words, just look: http://www.photoeil.be/the_making_of.html#10

echoBOOM, University of Central Oklahoma. October 2015. Ash walks amid a field of crosses.

In the first photo, two gels were used on cyc lights to help create the mood for that scene, while later in the second photo they were used to darken the mood.

This is one of the opening scenes of our production of Cabaret, where the cyc lights had the rosco #26 gel and a higher intensity on the bottom row than the top.